Tuesday, June 23, 2009

Preview: Vampire Diaries


The CW's bloody teen-soap Vampire Diaries is getting some good hype for it's coming fall premiere. With the success of all things vampire these days, I don't imagine much going wrong for all those involved. Around upfronts time the network released a few short clips but there's now an extended clip that's painting a broader (and better) view of the show.

My initial thoughts based on the clip? Early One Tree Hill with fangs. Dueling brothers in a small town, one good, one bad, cute girls, bad soundtrack, high school angst and even crows - they've got it all. And that's not a bad thing.

Also discovered today (via The Televixen), some sexy new ads for the show. The design is very CW, reminiscent of Gossip Girl and One Tree Hill ads from the past.

They are not, however, in the same format as other official CW ads for the 2009 Fall season, so no idea if they're fan work or legit. See what you think:

(Update: It's been confirmed, these are legit. 6/30/09)

Official:


Possibly Not Official:




And finally, the extended clip:






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New Dexter Season Four Poster

Amazing poster advertising season 4 of Showtime's Dexter appeared around the web today. Apparently some people think it's fake, though I'm not sure why. Seems legit to me. I'm not cool enough to get official press information from Showtime, so I can only guess.

The poster, real or not, is quite brilliant. Obviously the artwork is about Dexter's upcoming fatherhood, which I'm sure will play a big part in the show's fourth season, along with the Trinity Killer.





Season four of Dexter is set to premiere September 27th, which I believe is still a Sunday, the same timeslot the show has occupied since it's pilot. Could you imagine how good the world would be if Sunday nights consisted of HBO's True Blood at 9pm and Showtime's Dexter at 10pm. That's probably too much amazing commercial free goodness to handle, so they keep Sookie in the summer and Dex in the fall. It's for our own safety, I'm sure.



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Monday, June 22, 2009

Hung Vs. Matt & Kim

HBO has given us a sneak peak at the opening credits for it's newest original series, Hung. Everything starts off normal enough with a river and city view, everyday life amidst downtown architecture. Right around 17 seconds the lead actor, Thomas Jane, begins taking off his tie and throws it to the ground, his jacket hits pavement just ten seconds later and...wait a minute. Haven't I seen this already?

Why yes, we have: it's the premise of a Matt & Kim video.

I don't know much about the musical duo, other than that catchy tune featured in Bacardi commericals and this:





Granted Hung's trailer is scripted and filmed legally, but hey...you know...You guys couldn't have come up with something better?

I am not one for opening credits. I prefer shows go without them but we're talking HBO here - probably the one network with opening credits that don't suck. True Blood's bluesy, dirty, gritty intro, The Sopranos Garden State tour, Entourage's blaring Janes Addiction fist pumper "Oh Yeah!, Oh Yeah!" - all perfect ways to start a show...but stealing your intro from a hipster pop duo? At least they had the balls and creativity to do it for real.

P.S. Each time I type Thomas Jane, I think of The Mentalist main character Patrick Jane. Not sure why I just typed that, though.

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Preview: HBO's The Pacific

Here now, the first official trailer for the upcoming HBO miniseries The Pacific. The series, produced by Steven Spielberg and Tom Hanks, is a follow up to the much beloved, very successful, Band Of Brothers.

Reportedly, the budget of 200 Million dollars makes this the largest and most expensive TV production of all time. Watching the preview it's not hard to see why. With the DVD and syndication success of Band Of Brothers, I'm sure they have no fear when it comes to making the investment back.






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Sunday, June 21, 2009

Odds & Ends

Lot's of news swirling around this week and extended work hours left me with little time to update, so I thought I'd drop a bunch of small items at once:

TNT's first ever non-scripted series, Wedding Day, didn't fare so well. According to Nielsen the show pulled just 850,000 viewers for it's debut. Due to the low numbers the network has moved the show to Thursdays at 8pm, I guess hoping Bones reruns will act as a better lead-in for their new med drama HawthoRNe.

Brian Austin Green will be joinging CW's Smallville for a two episode arc. Just a few weeks ago word was leaked that the actor, fresh off Terminator Sarah Connor Chronicles, would be joining the cast of CW's One Tree Hill as Nathan Scott's playboy sports agent. That lasted about a week before his "reps got cold feet". Seems odd that he'd turn down a longer lasting part on a higher rated series on the same network for two episodes on a series that's barely holding on for it's final season. Anyway, he's on for playing Metallo, a villian.

Ratings for USA's Royal Pains went up 17% in it's third week. At the same exact time, The Listener, on USA's mother network NBC, went down just as much for it's third week. Good news for Royal Pains, which I really enjoy. Bad news for The Listener, which I also enjoy. It gets alot of flack from TV critics, but it's not as bad as they make it out to be.

T.R. Knight won't be returning to Grey's Anatomy, while Katherine Heigl will be. I hate spoilers and think it's really freaking lame that every single TV news outlet reported this, but oh well.

The whole cast of Seinfield will appear in HBO's Curb Your Enthusiasm's seventh season, which debuts this fall. No word about how or why, nor if they'll all be together or seperate. If I recall correctly, Julia Louis Dreyfus has already appeared in an earlier season, but this'll be a first for the others.

Seth MacFarlane is going to be a recurring guest star on ABC's Flash Forward. Don't ask me why. I really don't know much about MacFarlane as I'm not a fan of his work, but I don't the purpose in his casting.

Mad Men showrunner Matthew Weiner hinted in an interview with Rolling Stone that the show may be be shifting to Los Angeles.

Now that The CW has canceled Reaper, the duo behind the show are moving to the writing staff of Fox's Dollhouse.

Finally, Cupid, Pushing Daisies and The Unusuals all ended, while Eli Stone returned (if only for a few weeks). ABC is really cleaning house this summer.
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Thursday, June 18, 2009

The Battle For Sunday

Networks are waging war on Sunday evenings and my poor DVR is caught in the middle. I expect this sort of thing in the Fall premiere season, but not summer. Unless you've got multiple DVR's or one of the good cable systems that provide 4 way DVR tuners, you, like me, see certain nights like a crazy frustrating puzzle.

So, we can record two things at once and cable networks tend to broadcast their shows at multiple times. Keeping in mind there's certain shows we are completely obsessed with and want to watch live (or as close to live as possible to avoid commercials) and trying to juggle all the back up knowledge ala "well, Food Network always runs a minute over but HBO shows end 7 or so minutes early" and blah blah blah.

So here's what's on this Sunday evening and how I'm planning to fill my two tuners. Numbers in BOLD are the showings I'll set my DVR for:

Army Wives - Lifetime 10pm, 11pm, 12am
Expedition Africa - History 10pm, 2am
In Plain Sight - USA 10pm, 1am
Law & Order: Criminal Intent - USA 9pm, 12am
Merlin (2 episodes) - NBC 8pm, 9pm
The Next Food Network Star - Food Network 9pm, 12am
True Blood - HBO 9pm, 11pm
The Best Thing I Ever Ate - Food Network 10pm, 1am



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Wednesday, June 17, 2009

A Quick Farewell To The Unusuals

It's the end of the line, folks. This evening marks the series finale of ABC's quirkiest cop show in recent memory, The Unusuals.

The show debuted in April to somewhat promising numbers on the middling side and the network tried moving it around a bit, seeing if a certain lead-in could help, what time slot was best. There were even rumors that network execs really liked the show and wanted to bring it back for a second shot next year...But it hasn't worked out.

Sometime last year, when I heard there was a new Amber Tamblyn pilot floating around I was pretty excited. When word came it would be appearing in April and would not only have Tamblyn but also Harold Perrineau and Adam Goldberg (as partners, no less!), I couldn't wait.

I'll admit, when the pilot premiered and the voice-over of a police dispatcher made some terrible joke in the first 5 seconds of the show I lost a bit of the wind in my sails. After watching the pilot I thought to myself "Definite potential...Let's just hope they figure out what works and what doesn't fast enough to save the show."

And guess what: they did. Pretty quickly the producers, directors, actors, et al, smoothed out the edges, streamlined some things, made the show more enjoyable. Unfortunately by the time they had worked out whatever needed to be worked out, it was too late. The audience had disappeared or the network had given up, depends on who you talk to.

Truthfully, I never really thought ABC was a good fit for the show. The network does quirky femme-centric drama really well. Non-disgusting reality TV, they know what they're doing. Interesting sitcoms...Well, they're kind of trying.

Since day one, I always kinda wondered if The Unusuals may have done better had the pilot script been seen, tweaked and given the go-ahead by a cable network. A certain cable network. One known for quirky cop/law enforcement-esque shows. A cable network that really likes strong characters.

I imagine that, had this come about the show would have looked radically different yet still hold what, in the end, charmed us about the series.

Someone behind the scenes at the show Twittered a quick note a couple weeks ago about talks to move the series to a cable network but I haven't heard a peep about it since, so I doubt that will come to pass.

Let's take a moment of silence for The Unusuals. It brought back the quirky cop to a world full of overly dramatic and often disgusting procedurals. It also portrayed New York City and the weirdos that make up the common man more realistic than most shows, especially scripted, unless you count the fact that one of the cops lived in an old diner. Does anyone really believe commercial real estate is cheaper than residential in NYC? Yeah, residential rents are astronomical but commercial even more so. But I digress. A moment of silence, please.





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